Skip to main content

the value of ballet / הערך של בלט

a pair of neat shoes found on the path next to the beach, Tel Aviv, Israel


“There is so much wall-to-wall sport at the moment, I think people need to know that ballet has in fact never been more healthy.
“There’s a saying that ballet teachers are the last bastions of discipline. You have to have discipline and I don’t mean that in a nasty way.
“Mums would say to me ‘she now puts her shoes together nicely and we have noticed all sorts of changes’.
“I strongly believe that it is an extraordinary training ground for anyone.”


“One of the most important things of the luxury experience from a guest perspective is being able to demonstrate poise and grace as part of the service style,” 
“Our associates have to have a certain sophistication that’s on par with the guests who are coming into our hotels, and so what better way to inspire poise and grace than with a ballerina?”
According to The Joffrey Ballet’s artistic director Ashley Wheater, all of us know what poise is, so it’s something that can be taught in a structured setting. Grace, on the other hand, is more nebulous. We might not be able to define it succinctly, but we certainly know it when we encounter it.
-- Mitzi Gaskins, VP/global brand manager of JW Marriott Hotels & Resorts


Imagine if your child had the poise, grace, 
and enthusiasm of this young one.

Comments

Popular posts from this blog

ההופעת הצגה חדשה / the emergence of a show

*This is not the official title of the show. Urbanity Dance Apollon Musagete (the story, one version) Apollo (the muses) Apollo (the construction of, with Seth Orza, principal dancer, Pacific Northwest Ballet) Apollon Musagete (one dance, Mathieu Ganio, Myriam Ould Braham, Mathilde Froustey and Charline Giezendanner, Paris Opera) Apollon Musagete (another dance, with Marta Romagna and Roberto Bolle) Apollon Musagete (a third dance, with Suzanne Farrell and Peter Martins, New York City Ballet) Apollo Musagete (the full dance, with Jacques d'Amboise, Jillana, Francia Russell and Diana Adams, New York City Ballet)

I finally found it !!! / סוף-סוף מצאתי אותה !!!

ZIJI זיג'י choreography by Luc Jacobs כוריוגרפיה מיד לוק ג'אקובס

"Exposure" / חשוף

The truth is, that since graduating from Harvard I have been keeping-- protecting --a special kind of solitude. It is no news that I keep a journal and that I take it everywhere I go. Into the pages I pour my thoughts, my excitement, and my despair for the life I lead, all in cover-to-cover privacy. The truth is, that I need this space. I need it to sustain the integrity of my identity, which in every new place faces challenges that help me to grow and become a richer person, a more responsible man, and a more sensitive artist. I indulge in the mystery of my own musings, how even as their author the deeper meaning and significance of what I convey eludes even me. This semi-opaque enigma follows me everywhere I go, and softens the impact of new people, new ideas, and new queries. Of course, I am still a human being. My solitude does not isolate me completely from my peers. (I was cautioned against this by a mentor whom I greatly trust.) However all of this is to say that as I move throu...